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Around one hundred people took part in the 12 programmes and attended the celebration.

 

The artistic and social project Danza en Comunidad (Dance in the Community) by Auditorio de Tenerife celebrates its tenth anniversary. The anniversary took place at a gathering involving one hundred professionals and groups who had participated in the programme activities over this decade.

Danza en Comunidad has developed and carried out twelve programmes and four research processes during this period. It has worked with 40 groups, that have participated and returned for different project editions. The number of participants involved surpasses 1,500 people. Over one thousand work sessions have been held, many of which have resulted in 68 performances. In addition to the in-house activity, they have participated in 28 projects, initiatives and festivals in the Community.

For the occasion, the Auditorio de Tenerife's Multipurpose Hall has been transformed into a multi-sensory space with areas for writing, thinking, dialogue, dancing, and even creating video recordings. Upon arrival, attendees removed their shoes to put on their new commemorative socks and thus enjoyed the event more freely.

The celebration of the tenth anniversary was led by the DC team, formed by Laura Marrero, Carmen Macías, Dácil Baute, Judith García and Tania Pérez. Alongside the attendees, the facilitators carried out several movement dynamics, including screening a commemorative video. One hundred people enjoyed the event, including managers and associates of the groups, people participating in the different programmes, hall and festival schedulers, teachers from schools, artistic collaborators and the Auditorio de Tenerife team.

Danza en Comunidad has carried out committed and respectful work with a team trained in Dance and with great social sensibility. Those in charge of the project most value the people, adventures, experiences, and learning accumulated over these ten years. "Art gains new meanings in social and vulnerable contexts, like the art of dance, which is also vulnerable," reflects Laura Marrero, one of the founders of Dance in the Community.

This project aims to create different pathways and itineraries where Dance is available for any person, collective, group or association that needs to work with the tools of a professional. To do so, the time that each person takes to assimilate things is respected, and the aim is to find the movement of each body. Group relationships, agreements, participation, movement and ideas are essential to creating an atmosphere where every person can exercise their right to move, make, and express their sensibility. The main aim and ultimate commitment of Danza en Comunidad is to form a community that provides mediation and resources for Dance and movement.

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Adeje and La Orotava join the capital city in receiving three different programmes put together by the singer himself.

 

The Auditorio de Tenerife brings these lyrical recitals to three venues on the island by the tenor Airam Hernández and the pianist Vanessa García. From April 4 to 6, the Auditorio de Adeje, the Auditorio Teobaldo Power in La Orotava, and the Auditorio de Tenerife in Santa Cruz will host different programmes that the singer has prepared with each of these venues in mind. All performances start at 7:30 p.m.

For Airam Hernández, "planning a concert is comparable to creating a good perfume: the order, quantity and balance between the pieces are essential for it to work". "Thus, it thrills and lives on in the memory.", states the San Cristóbal de La Laguna-born tenor, who began his solo career in the Opernstudio and Ensemble of the Opernhaus Zürich

The Chamber Hall of the Auditorio de Tenerife will be the first to welcome the renowned singer on Thursday, April 4, with El viaje del Trovador (The Troubadour's Journey). This programme includes a selection of Spanish songs that trace a line through time from the 15th century to the present, inviting the audience to travel through time and enjoy the compositional evolution of a repertoire rich in registers and a broad palette of sounds.

The following day, Friday the 5th, the tenor and the pianist will perform at the Auditorio in Adeje the programme Aires del Sur (Tunes of the South), focusing on composers from the south of Spain and Latin America. The tour ends on Saturday 6th, at the Auditorio Teobaldo Power in La Orotava with the programme Aires del Norte, dedicated to composers from the north of Spain. For Airam Hernández, "They were born to offer two programmes that connect with people who come to these two beautiful spaces on the island. Thus, we are offering our audience the chance to enjoy two different programmes that capture the essence of the Spanish song tradition".

Hernández has taken on the role of Tamino, Don Ottavio, Pollione, Tebaldo, Edgardo, Alfredo, Fenton, Faust, Rodolfo, Jason, Ulysse, Grigori, and Arcadio, as well as the world premières in Sardanapalo (Liszt), Caruso in Cuba (Schaunard Award for Best Performer of the Year), and El Abrecartas.

He has performed in the main theatres in countries such as Spain, France, Austria, Germany, Luxembourg, Italy, Hungary and Switzerland. He has been conducted by conductors such as Gustavo Dudamel, Teodor Currentzis, Fabio Luisi, Nicola Luisotti, Nello Santi, Marco Armiliato, Ivor Bolton, Víctor Pablo Pérez and Markus Poschner, among others. 

Vanessa García is a Spanish pianist, repetiteur, vocal coach and assistant orchestra conductor who particularly excels as an extraordinary accompanist. Her musical attributes were apparent from an early age, so she studied singing, chamber music and choral conducting. 

At different times, Vanessa García has had the chance to perform as a soloist and accompanist at the Palau de la Música and with the Orchestra of the Catalonian Gran Teatre del Liceu (Spain). She is a vocal coach and repetiteur at the Gran Teatre del Liceu in Barcelona.

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This event will feature the participation of the wind bands from Santa Úrsula, San Andrés and San Miguel de Abona.

 

Tomorrow (Sunday 24), the Auditorio de Tenerife will host the third concert of the "Primavera Musical" cycle at the Chamber Hall. The event will feature the participation of the concert bands Ernesto Beteta (Santa Úrsula), Amigos del Arte de San Andrés (Santa Cruz) and the band from San Miguel de Abona. The event begins at 11:30 a.m. and is organised by the wind bands federation 'Federación Tinerfeña de Bandas de Música' with the support of Tenerife Island Council.

The band Asociación Músico-Cultural Ernesto Beteta from Santa Úrsula, under the direction of Miguel Ángel Expósito Marrero, will be the first ensemble to perform. The band, with more than three decades of history, has prepared a repertoire formed by La Fallera, by the Valencian composer Ferrer Ferrán, Por una cabeza, by the Argentinian Carlos Gardel, and La Sombra del Peregrino, by José Luis Peiró.

The wind band 'Sociedad Protectora de la Banda de Música Amigos del Arte de San Andrés', which originated in 1967, will be the second group to take to the stage of the Chamber Hall. Conducted by Juan Antonio Domínguez Martín, the ensemble will perform the pasodoble El último romántico by Reveriano Soutullo and Juan Bautista Vert, the King Arthur suite by Kees Schoonenbeek. It will end with the soundtrack of the main theme from Exodus by Ernest Gold.

The third event of the Primavera Musical cycle in the Auditorio de Tenerife will conclude with the performance by the wind band San Miguel de Abona, conducted by Marvin Federico Martín Pérez, with the Galician pasodoble Puenteareas by Reveriano Soutullo and Sajelbon by José Alberto Pina.

The Primavera Musical cycle has been organised by the wind bands federation 'Federación Tinerfeña de Bandas de Música' since 2005 with the support of Tenerife Island Council. As part of this campaign, the public can listen to the 37 wind bands that shape the association in the Auditorio de Tenerife's Chamber Hall. The event is free entry until total capacity is reached.

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ˋReality is nuanceˊ can be heard live this Saturday in trio format of guitar, double bass and drums.

 

This Saturday (23rd), at 7:30 p.m., the new jazz album of Albert Vila Trío will be presented at the Auditorium's Chamber Hall. Reality is nuance. Vila's guitar, the double bass of Doug Weiss, and the drums of Ferenc Nemeth form the trio for this concert, playing the seventh work of the Barcelona-born musician and composer.

Albert Vila has recorded and performed his compositions in larger groups, such as quartets and quintets. This time, he is exploring his compositional and performative skills in a smaller group. The guitar trio format can be minimalist, delicate, and even challenging, especially on this album, which lasts almost an hour. However, Weiss and Nemeth mix styles and textures and capture a broad tonal range, in which individualities serve a whole.

As an eclectic and reflexive musician, Albert Vila undergoes intense personal searching to create a coherent language. Vila stated, "I drew inspiration from classical and jazz pianists' use of polyphony and aimed to bring some of that universe to the guitar trio format".

Albert Vila is considered one of the most influential guitarists of his generation. He began his music studies at the Taller de Musics in Barcelona. In 1999, he was accepted to the Amsterdam Conservatory and studied with Jesse Van Ruller. In 2004, he was awarded the first prize at the Dutch Jazz Competition for his composition Gym Jam. The following year, he received a scholarship grant for the master's program at the prestigious Manhattan School of Music in New York with the teachers Rodney Jones, Dave Liebman and Phil Markowitz.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 02:00 p.m. Check the special discounts for the audience under 30 years of age, students, unemployed, and large families.

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The programme for this Sunday matinee also includes works by Bach, Mozart, Fauré and Saint-Saëns that have been arranged for this instrument.

 

The Auditorio de Tenerife offers a matinee with the Tenerife-born organist Juan Luis Bardón this Sunday (24th) at 7:30 p.m. in collaboration with the Royal Canary Academy of Fine Arts (RACBA). The concert De Transcriptos y Colores Orquestales (orchestral transcripts and colours) will take place at noon at the Symphony Hall as part of the Auditorium's organ concert cycle.

The performance will begin with compositions by Johann Sebastian Bach (1685-1750). The first work will be St Matthew Passion: Memento's Final Chorus, arranged by Charles-Marie Widor. Bardón chose Bach's The Concerto in D minor (on Antonio Vivaldi) BWV 596 as the second piece.

The programme continues with the overture to the comic opera Le nozze di Figaro (The Marriage of Figaro), composed by the Austrian pianist Wolfgang Amadeus Mozart, with organ arrangements by Louis Robilliard.

Bardón will continue with Sicilienne, from Pelléas et Mélisande, op. 80, by Gabriel Fauré (1845-1924), also arranged by Robilliard. The French pianist and organist composed this suite as incidental music, from which this movement is taken.

Next, the organist will perform movements from Le Carnaval des animaux (The Carnival of the Animals) by Charles Camille Saint-Saëns (1835-1921), arranged by S. Y. Lee. The French composer's entire piece consists of 14 movements, of which Bardón will play five.

The concert will end with Cornfield Chase, from the original soundtrack of Interstellar, directed by Christopher Nolan and composed by the German Hans Zimmer (1957). On this occasion, the arrangements for the organ were made by Juan Luis Bardón himself.

The Tenerife-born organist undertook his professional studies in the speciality of piano at the Professional Conservatoire of Santa Cruz de Tenerife and in the speciality of organ at the Professional Conservatoire Ángel Barrios of Granada, at the end of which he received the Extraordinary Prize of Professional Music Teaching of the Regional Government of Andalusia. Throughout his career, he has received masterclasses from renowned performers on the national and international scene, such as Montserrat Torrent, Juan de la Rubia, Roberto Fresco, Bernhard Hass, Matteo Imbruno, Erwin Wiersinga and Paolo Crivellaro, among others.

The organ of Auditorio de Tenerife was built in the 20th century by the prestigious organ builder Albert Blancafort and his team and is considered a unique instrument not only for its design but also for its sound and musical ranges. The sounds are produced by 3,835 pipes housed in the walls of the emblematic Symphony Hall. The organist controls them from onstage through the console and the four keyboards that he can play.

The tickets for the concert can be purchased at a single price of €15 and 5 euros for the audience under 30 years of age on the website www.auditoriodetenerife.com, at the auditorium's box office, or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. There are discounts for students, unemployed and large families.

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The Maxwell String Quartet and the Tenerife clarinet player Maximiliano Martín give a concert on Thursday this week.

 

As part of its Chamber Cycle, the Auditorio de Tenerife will present a concert by the Maxwell Quartet and the Tenerife clarinet player Maximiliano Martín this Thursday [21st]. The performance, which will begin at 7:30 p.m. in the Chamber Hall, will include traditional Scottish and contemporary music.

 

The concert's first part will feature Worksongs, the latest project from the Maxwell Quartet, exploring the traditional music of their homeland of Scotland. It brings together songs, dances, and stories from times past, borne out of the historic industries that Scotland is renowned for. Worksongs is a historical tour of Scotland's hardworking societies, woven together in the Maxwell Quartet's own impressionistic and sensitive reworkings of traditional songs.

 

The concert continues with Maximiliano Martín joining the Maxwell Quartet to perform the second piece, Tuireadh, a work by the Scottish composer and conductor James MacMillan (1959). With this threnody or funeral wail, the author picks up on the influence of Gaelic psalmody from the British Isles, which still exists today. 

 

To conclude the evening, the musicians will play the Quintet for Clarinet and Strings in B minor, op.115, by Johannes Brahms (1833-1897). The German pianist and composer composed this chamber music work in four movements in 1891 for the clarinettist Richard Mühlfeld.

 

The Maxwell Quartet, formed in 2010, comprises Elliott Perks on viola, Colin Scobie and George Smith on violin, and Duncan Strachan on cello. The quartet was the First Prize-winner and Audience Prize-winner at the 9th Trondheim International Chamber Music Competition in Trondheim, Norway 2017. For The Scottish Herald, this ensemble is "brilliantly fresh, unexpected and exhilarating". The quartet has toured throughout Europe and the United States during its career and currently holds the position of Associate Artist at the Royal Conservatoire of Scotland. 

 

Tenerife-born Maximiliano Martín combines his work as principal clarinettist with the Scottish Chamber Orchestra with solo engagements, chamber music and masterclasses worldwide. Throughout his career, he has collaborated as guest principal clarinettist with orchestras such as the Chamber Orchestra of Europe, the Philharmonic Orchestra of Bergen and the London Symphony Orchestra. He has worked with conductors such as Abbado, Haitink, Colin Davis and Mackerras. 

 

The tickets for the concert can be purchased at a single price of €15 and 5 euros for the audience under 30 years of age on the website www.auditoriodetenerife.com, at the auditorium's box office, or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. There are discounts for students, unemployed and large families. 

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This Sunday's performances are part of the Primavera Musical cycle.

 

On Sunday (17), the wind bands Arona, Alcaraván and Las Candelas offer a concert in the Auditorio de Tenerife's Chamber Hall. The event begins at 11:30 a.m. and is part of the Primavera Musical cycle, organised by the wind bands federation 'Federación Tinerfeña de Bandas de Música' with the support of Tenerife Island Council.

The concert band from Arona was created 35 years ago and will open the performance.  Conducted by Juan Antonio Rancel Tejera, the ensemble will begin its concert with El arca de Noé, by Óscar Navarro, and will continue with Danzas cubanas, by Robert Sheldon.

The second wind band on stage this Sunday in the Chamber Hall will be the Asociación Artística Alcaraván, from San Juan de la Rambla, which has its origins in the late 19th century. They offer the repertoire Brisas de Anaga, by Manuel Castrejón Navarro, A Catedral, by José Luis Peiró Reig, and The Lion King, with arrangements by John Higgins, conducted by Miguel Ángel Arrocha Rodríguez.  

The Auditorio de Tenerife welcomes the band Las Candelas and its programme, featuring the world premiere of the work Kepler 438-b, by José Manuel Encinoso, which will be the first piece to be performed by the ensemble from Candelaria, conducted by Mauro Fariña Alonso. The performance is completed with Magellan's Voyage to the Unknown Continent, by Masanori Taruya, and Fanfare, by Roque Baños.

The Primavera Musical cycle has been organised by the wind bands federation 'Federación Tinerfeña de Bandas de Música' since 2005 with the support of Tenerife Island Council. As part of this campaign, the public can listen to the 37 wind bands that shape the association in the Auditorio de Tenerife's Chamber Hall.

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Formaciones de música de cámara, percusión y viento participan en la cita de este sábado

 

El alumnado del Conservatorio Profesional de Música de Santa Cruz de Tenerife ofrece este sábado (día 16) un concierto en la Sala Cámara del Auditorio de Tenerife. Las formaciones que intervienen son de música de cámara, percusión y el conjunto de saxofones del centro. El evento comienza a las 18:00 horas y la entrada es libre hasta completar aforo. 

Los alumnos de percusión que intervendrán en este concierto son Aruna Beuster, Enrique Fernández, Guillermo Monreal, Miguel Mira, Jorge Mira, Jonay González, Ethan Gabriel Aricoma, Emilia Díaz, Roberto Carlos Rodríguez, Hugo López, Óscar Gregorio García, Alberto Hernández, Néstor García, Gabriel Vélez, Eduardo García, Pablo Hernández, Adriel López, Asiel Padrón, Pablo Daniel García y Guillermo Almeida. El grupo de la especialidad de percusión está dirigido por Emilio Díaz, Verónica Cagigao y Carlos Castañeda.

Para este concierto han preparado un programa que incluye Invention n.º 4 en Re m. BWV 775, de Bach, Invention 4º, de Bach, Invention 8º, de Bach, Sefia 2, de Emmanuel Séjourné, Red Bone, de Emmanuel Séjourné, Stick Schtick, de Chris Brooks, Irlanda, de José Encinoso, Malambo, de Alberto Ginastera con arreglos de José Encinoso, La Farruca del Molinero, de Manuel Falla con arreglos de José Encinoso y Malagueñas canarias, con arreglos de Emilio Díaz.

La formación de música de cámara, dirigida por Ruth Albertos y con la participación de Andrea Suárez, Andrés Rodríguez, Katherine Cheng Zhu, Raúl Marichal y Román Khomenko, ha elaborado un repertorio con las obras Café de 1930, de Astor Piazzolla; Per pietá, Belle ídol mío, del compositor italiano Vincenzo Bellini, y Serranas de Cuenca de Enrique Granados.

Para finalizar el concierto, el conjunto de saxofones -integrado por una docena de alumnos de 3º y 4º-, dirigido por Francisco Dorta, ofrece las piezas A song for Japan, de Steven Verhelst, Gershwin Favourites, de Roland Kernen y Sud-America, de Lino Florenzo. Los alumnos que intervienen son Saúl Báez, David Otto, Nicole Daniela Pérez, Alejandra Serra, Jaime Brito, Aurora María Aldoman, Alonso Medina, Sarah Hiraldo y Jesús David Hernández. 

Con esta propuesta, el Conservatorio Profesional de Música de Santa Cruz de Tenerife quiere exhibir la labor y el nivel que desempeñan sus alumnos junto con el profesorado en las diferentes especialidades que imparte. Este concierto se incluye dentro de las actividades fuera del centro que recoge el programa educativo.

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The show of Kukai Dantza, winner of four national awards, will take place at the Symphony Hall

 

The Auditorio de Tenerife offers Oskara. This award-winning work fuses traditional Basque dance with contemporary dance. It will be performed by the Basque company Kukai Dantza, winner of the National Dance Award. This show can be enjoyed this Sunday (17) at 7:30 p.m. in the Symphonic Hall. Oskara was awarded Best Dance Show at the 30th Huesca International Fair of Theatre and Dance and obtained three Max Awards: Best Costume Design, Best Cast, and Best Dance Show.

This project features a cast of five dancers and a singer. It is an exciting collaboration between Kukai Dantza and Marcos Morau, who is one of the most renowned choreographers in Europe today. Morau received the National Dance Award in 2013 and has worked with some of the most prestigious companies of our time. He also creates innovative works with his company, La Veronal.

Oskara is the coming together of two choreographic universes and two dance perspectives that navigate between the most popular roots and the most avant-garde expression, proposing a new scenic universe on the national scene. This installation work explores some landscapes of Basque culture and myths, from its origins to the contemporary era.

In addition to Oskara, Yarin will be performed on Saturday (16) at 7:30 p.m. in the Symphony Hall's stage box. It is a choreography by Jon Maya, the founder of the Basque company, the flamenco dancer Andrés Marín (National Dance Award winner 2022) and Sharon Fridman, a multi-award-winning dancer and choreographer. The two performers on stage are accompanied by the live music of Julen Achiary. Yarin is an encounter based on an honest dialogue, which shows us their differences and their desire to share a common path towards the future through those differences.

The Basque company's visit to the Auditorio de Tenerife will be rounded off with a workshop. It is aimed at dancers and dance students interested in learning about Basque culture and the working formula that consists of a meeting between roots and contemporary dance. Today (Wednesday 13) is the last day to sign up by sending an email to This email address is being protected from spambots. You need JavaScript enabled to view it. with personal details and dance experience. The master for this training day, which will take place this Friday (15), will be Jon Maya himself, who will give a two-hour master class.

Kukai Dantza was created in 2001 through the initiative of the dancer and choreographer Jon Maya. It carries out its work through traditional Basque dance and proposes encounters with other dance styles and ways of understanding art. Thus, Kukai creates contemporary shows through traditional Basque dance, producing unique creations and collaborations with prestigious choreographers. This has earned it an unmistakable identity on the international scene, and it is making an increasing number of appearances at festivals and on programmes all over the world. Its many awards notably include the Max Award for Best New Show in 2009 and the two 2015 Max Awards received for Gelajauziak: Best Musical Composition (Sabin Bikendi) and Best Cast.

The tickets can be purchased at a single price of €15 for Oskara and €10 for Yarin (5 euros for the audience under 30 years of age, in both cases), on the website www.auditoriodetenerife.com, at the auditorium's box office, or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. Check the special discounts for the audience under 30 years of age, students, unemployed and large families. Both shows are recommended for those over 16 years of age.

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Auditorio de Tenerife recibe del 11 al 23 de marzo de 2024 la residencia artística Las magias, de Teresa Lorenzo.

La muestra de la residencia tendrá lugar el 23 de marzo. 

Esta creación se ha abordado entre el gesto figurativo y la abstracción geométrica. El pequeño gesto se plantea en el entorno kinesférico del cuerpo, y el gran gesto pone al cuerpo en relación con lo espacial. Trabajar términos elementales relacionados directamente con una lógica física ha funcionado como guía para ir localizando y desenvolviendo una danza que apunta al entramado rural y natural concreto al que se refiere.

En este abordaje tan concreto se han abierto estudios sobre figuras relativas a elementos naturales, celestes, místicos; y sobre las que se ha desplegado una superposición de capas básicas que ordenan y clarifican la acción del cuerpo y se complejizan en su interrelación

Las pauta y herramienta han permitido traer al cuerpo un lenguaje que encuentra la virtud en un hacer cercano, propio. Por otro lado, a la hora de comenzar con la composición existe un  distanciamiento del patrón de composición tradicional. Es un método que supone un pulmón creativo y permite establecer una separación en la condición de ser a un tiempo, sujeto y objeto o coreógrafa y bailarina.

Poco a poco se está dado sentido a todo con el soporte estético de esa cosmovisión y a través de la creación de una partitura base que cuida más y más todo el conjunto de la gestualidad del cuerpo.  Un cuerpo liviano, limpio de vicios, excesos, automatismos que relaciona con precisión la tensión, la sensualidad, el peso y el entorno.

A lo largo de la residencia se profundizará en el estudio y posterior desarrollo y manejo de dichas figuras y dinámicas sobre la partitura inicial, con el objetivo de producir un lenguaje preciso y genuino, que permite la creación de una composición coreográfica estable. Esta parte del trabajo viene a ser un refinamiento de la danza que servirá de soporte para el cierre del proyecto.

 

Teresa Lorenzo

Creadora, bailarina, profesora de danza contemporánea y yoga. En el campo del movimiento se forma de manera independiente estudiando diferentes técnicas de danza, otras disciplinas referidas al cuerpo y teatro en Canarias, Madrid, Barcelona, Zurich y Nueva York, donde su aprendizaje en la Trisha Brown Dance Company fue determinante. Acude a programas de formación continuada, talleres, clases magistrales y siempre manteniendo un continuado y exigente trabajo de investigación y acondicionamiento físico en solitario.

Crea sus propias obras desde el inicio de su carrera. Ha colaborado con numerosos artitas, tanto de las artes escénicas como plásticas y sonoras. Ha atravesado proyectos de diversa índole, mediación, numerosos laboratorios de investigación, acompañamiento artístico, asesoramiento coreográfico. Ha trabajado con colectivos de naturalezas diversas y poco convencionales. También ha cultivado con rigor la línea pedagógica en el campo de la danza y el yoga, recibe una formación de siete años con un discípulo directo de B.K.S. Iyengar.

Con un acentuado rigor experimental, y como búsqueda de un lenguaje corporal ajeno a las tendencias contemporáneas convencionales, ha profundizado desde un punto de vista poético y filosófico en varios modos de relación con la naturaleza en sus diversas manifestaciones, lo que le ha ofrecido diferentes puntos de vista, perspectivas, aristas, para tratar de redefinir, para afrontar, para, en definitiva, estar en la danza.

En los últimos años de su carrera se ha especializado en el site-specific, y en la improvisación junto al músico Manolo Rodríguez, con quien trabaja hace más de diez años.

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Zlata Chochieva is making her debut as a guest soloist in the ninth seasonal programme of the Tenerife orchestra which is putting its Spring Pass on sale.

 

The conductor Karl-Heinz Steffens is returning to the island to conduct the Sinfónica de Tenerife in its ninth seasonal programme, which will feature works by Mozart and Mahler. Also, the pianist Zlata Chochieva will make her debut as a guest soloist in the Tenerife orchestra at the event which will take place this Friday [15], at 7:30 p.m. in the Auditorio de Tenerife Adán Martín.

Piano Concerto No. 17 in G major, K. 453 by Wolfgang Amadeus Mozart is a piece in three movements created in 1784, in the full force of gallant classicism, and in which the soloist instrument is in constant dialogue with the orchestra. The work, in which the wind instruments take on a special role, reflects the light of this harmonic dialogue with an Allegreto as the finishing touch that invokes the song by a starling, which ended up participating in the first performance in Salzburg.

After the interlude, the Tenerife Symphony Orchestra will perform the piece that this Friday's programme takes its name from, Symphony No. 5 in C Sharp Minor, a score completed in 1902 which reflects the battle of opposites and contrasts that are very well-defined. The sound journey begins with a funeral march before reaching an exaltation of life in the final chords, with love as catharsis.

This composition marked the start of a creative phase for the Bohemian genius that was difficult to understand for his contemporary audience. However, thanks to the adagietto for strings and harps of the third movement included in the soundtrack of the Luchino Visconti film, Death in Venice, this work that had gone unnoticed for almost seven decades got a popular boost.

Karl-Heinz Steffens is the current principal conductor and artistic director of the Norrköping Symphony Orchestra. In recent seasons he has worked with the Bavarian Radio Symphony, Berlin Philharmonic, Helsinki Philharmonic, Israel Philharmonic, Munich Philharmonic, Orchestre National de Lyon, Royal Stockholm Philharmonic, Toronto Symphony and Zurich Tonhalle, as well as with the Radio Symphony Orchestras of Berlin, Cologne, Frankfurt, Hamburg, Hannover, Leipzig and Stuttgart, among others.

Before becoming a conductor, Steffens was a highly sought-after clarinettist who also held several orchestral positions, culminating in the successive roles of principal clarinet with the Bavarian Radio Symphony Orchestra and the Berlin Philharmonic Orchestra.

In his lyrical facet, Steffens has conducted several times at the Teatro alla Scala, leading shows such as Cosi fan Tutte, Don Giovanni and Götterdämmerung, and he has also been regularly invited to the Berlin State Opera. He conducted the Norwegian premiere of Pelléas et Mélisande at the Norwegian National Opera, where he also led the performances of Così fan tutte, Fidelio and the production of Tosca by Calixto Bieito.

The work of pianist Zlata Chochieva is considered by Gramophone magazine to be "one of the most consistently inspired, masterfully performed versions with a beautiful sound that I can remember"; her work is included in the Gramophone list as one of the 10 best recordings of Chopin.

Last season, Chochieva participated with the BBC Scottish Symphony Orchestra and the Aarhus Symphony Orchestra, the Chopin Society of Vancouver and the Berliner Klavier Festival to perform Rachmaninoff to mark the 150th anniversary of the composer. She also performed Dvorák's Piano Concerto with the Hamburg Camerata in the Elbphilharmonie. She made her debut in Singapore with a recital at the Victoria Hall, and in Taiwan performing Piano Concerto No. 1 by Chopin with the National Symphony Orchestra. She also made her orchestral debut in the United States at the Bard Music Festival with a tour of five recitals.

The Russian soloist has performed in many of the most important concert halls on the international scene, such as the Wigmore Hall in London, the Concertgebouw Amsterdam, the Konzerthaus in Berlin, the Konzerthaus in Vienna, the Tivoli Concert Hall in Copenhagen, Grand Hall of the Moscow Conservatory, the Philharmonie de Paris, the National Kaohsiung Center for the Arts in Taiwan, Casa da Musica in Porto and Teatro La Fenice in Venice. Chochieva worked with several leading orchestras, such as the Copenhagen Philharmonic, the Munich Chamber Orchestra, the Russian National Orchestra and the Nice Philharmonic Orchestra.

Once again, the Tenerife Association for Friends of Music ATADEM will give a talk on the two works of the programme. They will be presented by José Lorenzo Chinea Cáceres at 6:30 p.m. in the Sala Avenida, located in the hall of the Auditorio de Tenerife Adán Martín.

The tickets for this concert can be purchased until the day of the event on the website www.sinfonicadetenerife.es, at the auditorium's box office and by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m.

From 20 February, it is also possible to purchase the Spring Pass for the Sinfónica de Tenerife, a special opportunity to enjoy the last nine concerts of the current season, with prices starting at 81 Euros. This subscription can be purchased through the normal sale channels.

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The ensembles San Sebastián, Nueva Unión and Princesa Yaiza open a new edition this Sunday.

 

The Auditorio de Tenerife offers this Sunday (10), at 11:30 a.m., at the Chamber Hall, the first concert of the different ensemble members of the island's wind band federation that participate in a new edition of the Primavera Musical cycle. The wind ensembles taking part in this first concert are San Sebastián (Tejina, La Laguna), Nueva Unión (Los Silos) and Princesa Yaiza (El Rosario).

The concert band San Sebastián and its conductor Raiko Cruz have prepared three pieces from their repertoire for this concert. Their performance begins with the Parade of the Charioteers, from the movie Ben Hur, composed by Miklós Rózsa and adapted with arrangements by Miguel González. La sombra del peregrino, by José Luis Peiró Reig, and Latin gold, with arrangements by Paul Lavender, complete the presence in the Chamber Hall of this ensemble, which has its origins in 1927.

The wind band Nueva Unión from Los Silos will perform three pieces in the Auditorio in a very special edition as part of its 125 years of history: Teatro Montecarlo, by Aurelio Pérez Perelló, El Racó de L'or, by Saúl Gomez Soler, and Caravan, by Duke Ellington/Juan Tizol, with arrangements by Naohiro Iwai, conducted by Juana María Bolaños.

The Sunday concert will be completed with a performance by the band Asociación Princesa Yaiza from El Rosario under the direction of Juan Antonio Rancel. From their repertoire, they have selected Música y vinos by Manuel Morales, The Witch and the Saint by Steven Reineke and Sir Duke, with arrangement by Naohiro Iwai.

The 'Primavera Musical cycle has been organised by the wind bands federation 'Federación Tinerfeña de Bandas de Música' since 2005 with the support of Tenerife Island Council. As part of this campaign, the public can listen to the 37 bands that make up the association from this Sunday until 9 June in the Auditorio de Tenerife's Chamber Hall.

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