Auditorio de Tenerife has placed itself at the same level as other national theatres. It has managed to go beyond Spanish borders through Opera de Tenerife, leading international opera productions of the highest level. This was possible in collaboration with other European and Latin-American cultural centres. The team of Opera de Tenerife works on this daily challenge to prepare every year larger projects and offer greater excellence, through its seasons, combining classic titles and contemporary proposals.

Ópera de Tenerife season includes Manos a la Ópera  (Hands-on Opera) and Ópera en Familia (Family Opera), two in-house schemes related to our commitment to bring opera and culture to Tenerife people. Our aim is to create an unforgettable experience open to people of all ages, in which literature, music, painting, performing arts or human values go beyond the stage of Auditorio de Tenerife. The season is complemented with performances for the whole family, activities and actions to generate new audiences.

Ópera de Tenerife is an initiative of the Cabildo de Tenerife (the goverment of the island) -through Auditorio de Tenerife-, sponsored by the Instituto Canario de Desarrollo Cultural of the Government of Canary Islands and the Instituto Nacional de Artes Escénicas y Música INAEM of the Government of Spain. Ópera de Tenerife is a member of the following professional networks: Ópera Europa, Ópera Latinoamericana (OLA), the European Network on Educational Formats in Opera RESEO y the spanish opera network Siglo XXI.


2023-2024 Season

Ópera de Tenerife presents a 2023-2024 season prepared for the new times. We maintain our commitment to the great repertoire and we continue to bet on little exhibited or recently discovered treasures, without renouncing quality and excellence. We want our audiences to feel proud of their lyric season, to enjoy the best classics and be surprised by the contemporary ones, to broaden their stage experience and to share in the evolution of this total art that we love so much. We encourage you to join Club Ópera, becoming a subscriber of Ópera de Tenerife and enjoying discounts, advantages and exclusive events.

the season 

OperaÓpera de Tenerife
Auditorio de Tenerife
Wed 07Jun23
OperaÓpera de Tenerife
Auditorio de Tenerife
Wed 04Oct23
OperaÓpera de Tenerife
Auditorio de Tenerife
José Bros
tenor
MARCO EVANGELISTI
piano
Thu 12Oct23
Fri 13Oct23
Sat 14Oct23
OperaÓpera de Tenerife
Auditorio de Tenerife
Sinfónica de Tenerife
Orchestra
Main Choir Ópera de Tenerife - Intermezzo
Tue 17Oct23
Thu 19Oct23
Sat 21Oct23
OperaÓpera de Tenerife
Auditorio de Tenerife
Tue 07Nov23
OperaÓpera de Tenerife
Auditorio de Tenerife
Sinfónica de Tenerife
Orchestra
Main Choir Ópera de Tenerife - Intermezzo
Tue 21Nov23
Thu 23Nov23
Sat 25Nov23
OperaÓpera de Tenerife
Auditorio de Tenerife
Tue 28Nov23
OperaÓpera de Tenerife
Auditorio de Tenerife
Sinfónica de Tenerife
Orchestra
Main Choir Ópera de Tenerife - Intermezzo
Sat 09Dec23
OperaÓpera de Tenerife
Auditorio de Tenerife
Wed 17Jan24
OperaÓpera de Tenerife
Auditorio de Tenerife
Sat 20Jan24
Sun 21Jan24
Sat 27Jan24
Sun 28Jan24
OperaÓpera de Tenerife
Auditorio de Tenerife
Wed 21Feb24
OperaÓpera de Tenerife
Auditorio de Tenerife
Sinfónica de Tenerife
Orchestra
Main Choir Ópera de Tenerife - Intermezzo
Tue 05Mar24
Thu 07Mar24
Sat 09Mar24
OperaÓpera de Tenerife
Auditorio de Tenerife, Adeje y La Orotava
Airam Hernández
tenor
Vanessa García
piano
Thu 04Apr24
Fri 05Apr24
Sat 06Apr24
OperaÓpera de Tenerife
Auditorio de Tenerife
Sinfónica de Tenerife
Orchestra
Main Choir Ópera de Tenerife - Intermezzo
Sat 20Apr24
Sun 21Apr24
OperaÓpera de Tenerife
Auditorio de Tenerife
Xabier Anduaga
Tenor
Pablo Mielgo
conductor
Main Choir Ópera de Tenerife - Intermezzo
Sinfónica de Tenerife
Orchestra
VER MÁS
keyboard_arrow_down
Sat 22Jun24

Previous seasons

SEASON 22-23

SEASON 21-22

SEASON 20-21

SEASON 20-21

SEASON 19-20

SEASON 18-19

SEASON 17-18

SEASON 16-17

SEASON 15-16

SEASON 14-15

SEASON 13-14

News

Actualidad

The show, winner of three Max awards, will take place on Sunday 17 at the Symphony Hall.

 

The Auditorio de Tenerife offers Oskara, by the Basque company Kukai Dantza, winner of the National Dance Award. The show will be performed at the Symphony Hall on Sunday (17) at 7:30 p.m. It was awarded Best Dance Show at the 30th Huesca International Fair of Theatre and Dance (2016) and obtained three MAX Awards: Best Costume Design, Best Cast, and Best Dance Show.

This project features a cast of five dancers and a singer. It is an exciting collaboration between Kukai Dantza and Marcos Morau, who is one of the most renowned choreographers in Europe today. Morau received the National Dance Award in 2013 and has worked with some of the most prestigious companies of our time. He also creates innovative works with his company, La Veronal.

Oskara is the coming together of two choreographic universes and two perspectives of dance that navigate between the most popular roots and the most avant-garde expression, proposing a new scenic universe on the national scene. This installation work explores some landscapes of Basque culture, and myths, from its origins to the contemporary era. The proposal presents a journey of symbols and iconography that contains the history of human experience, in the most absolute way, with an ambiguous and disconcerting strength.

The code of the play is highly abstract, with an almost violent language that can only be understood by the order of the compositions.

In addition to Oskara, Yarin will be performed the day before, Saturday 16 at 7:30 p.m. in the Symphony Hall's stage box. It is a choreography by Jon Maya, the founder of the Basque company, the flamenco dancer Andrés Marín (National Dance Award winner 2022) and Sharon Fridman, a multi-award-winning dancer and choreographer. Both shows are recommended for those over 16 years of age.

Kukai Dantza was created in 2001 through the initiative of the dancer and choreographer Jon Maya. Kukai carries out its work through traditional Basque dance and proposes encounters with other dance styles and ways of understanding art. Thus, Kukai creates contemporary shows through traditional Basque dance, producing unique creations and collaborations with prestigious choreographers. This has earned it an unmistakable identity on the international scene, and it is making an increasing number of appearances at festivals and on programmes all over the world.

Its many awards notably include the Max Award for Best New Show in 2009 and the two 2015 Max Awards received for 'Gelajauziak: Best Musical Composition (Sabin Bikendi) and Best Cast.

The tickets can be purchased at a single price of €15 for Oskara and €10 for Yarin (5 euros for the audience under 30 years of age, in both cases), on the website www.auditoriodetenerife.com, at the auditorium's box office, or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. Check the special discounts for the audience under 30 years of age, students, unemployed, and large families.

Actualidad

Soprano Vanessa Goikoetxea considers that "the costume design of this Rusalka is one of the most beautiful things I have seen in my life”.

 

Tomorrow (Tuesday 5), the Auditorio de Tenerife is premiering its in-house production of the opera Rusalka by Antonín Dvorák. The first show will star the Basque soprano Vanessa Goikoetxea, while on Thursday 7 and Saturday 9 Ángeles Blancas is expected to tackle the role as she waits to recover after being a little unwell.

For Vanessa Goikoetxea, "The costume design of this Rusalka is impressive, it is one of the most beautiful things I have seen in my life”. The soprano is making her debut with this show at the Opera de Tenerife and says that "although I have spent little time in the production, I have felt a lot of support and love from the entire team, so much that I feel at home here”.

Goikoetxea acknowledges that it is a character that she feels comfortable with vocally, exploiting her most dramatic facet, but she also really identifies with the musical aspect and even emotionally. Rusalka is much more than the little mermaid, she is sensual but childlike, a dreamer, human and non-human... Playing with all of that is very interesting for me" explains the soprano, who adds that "vocally it may seem easy, but Dvořák imbues everything with an impressive lyricism, and he has a brilliant way of handling the voices”.

The soprano recommends to a hesitant audience "that sometimes it is necessary to delve into worlds where you don't have so much control, which can be scary. But I can assure them that they will leave differently from how they entered before the show started. I am certain that they will experience catharsis”.

Vanessa Goikoetxea made her debut with this role in January in Nice. The review in Ópera Actual acknowledged that "the Spanish soprano performed her opening aria forcefully and freely, offering superb high notes, with a firm voice, without variations in timbre or any kind of tremolo”. Jaume Estapá – the author of the article – stated that Goikoetxea "offered nuance in musical passages with a great lyrical feeling and always gave the impression of having authority and a great sense of drama”.

Goikoetxea, who took part in the general rehearsal yesterday, shared the stage with a cast that includes the bass Vazgen Gazaryan, in the role of Vodník, Rusalka's father. The tenor Rodrigo Porras will play the prince with whom Rusalka falls in love. The soprano Magdalena Anna Hofmann plays the role of the foreign princess, a former lover of the prince who will try to stop his relationship with the mermaid. The witch Jezibaba, who grants Rusalka's wish and who in this production will look like an orchestra maestro, will be played by mezzo-soprano Adriana Bignagni Lesca.

The cast is completed by three wood spirits, played by soprano Julietta Aleksanyan and mezzo-sopranos Carmen Artaza and Maria Schellenberg. Baritone Jiří Brückler will take on the roles of a hunter and a forester, while mezzo-soprano Nicole Chirka will be the perceptive kitchen maid. Both characters, who are relatives in the original libretto, act as a kind of stage manager in this production.

The shows this week marks the premiere on the island of the Czech composer's most popular opera, coinciding with the 120th anniversary of his death. It involves a libretto by Jaroslav Kvapil, loosely based on the fairy tale Undine (1811) by Friedrich de la Motte Fouqué and inspired by The Little Mermaid (1837) by Hans Christian Andersen and other European tales. Premiered in 1901, the opera is in Czech and will have subtitles in Spanish and English.

This in-house production of the Auditorio de Tenerife also marks the debut in Spain of the Brazilian stage director André Heller-Lopes, who proposes a show that ranges between the classic and the contemporary, the reality and the fantasy, with references to the Canarian coastline, eastern culture and the magic of nature.

In this production, the first act opens with a forest of music stands surrounded by a coastline and sea beds, while the second act shows how a luxury eastern palace emerges on stage. The ending of the third act is different to the children's versions of this story of mermaids in love. In this production, which has involved over two hundred people from several countries on three continents, it is possible to see Indian fabrics, eastern daggers, old instruments and magic effects.

Heller-Lopes' team is completed by the set designer Renato Theobaldo, Marcelo Marques' costumes and the lighting designer Gonzalo Córdova. The Brazilian assistant director also undertakes choreographer duties with the dancers from the ballet Centro Internacional de Danza de Tenerife. The videographer Pedrós created the images that will be screened, and they have a great local component. The British conductor Paul Daniel is the musical conductor of this show. He will conduct the Sinfónica de Tenerife and the Ópera de Tenerife-Intermezzo Choir, directed by Pablo Moras.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 05:00 p.m., Saturdays from 10:00 a.m. to 02:00 p.m. There are discounts for students, unemployed and large families, and for those under 30, the price is 5 euros.

Actualidad

Ópera de Tenerife comunica que, debido a una ligera indisposición de la soprano Ángeles Blancas, el rol de Rusalka será interpretado el próximo martes (día 5) por Vanessa Goikoetxea.

 

Ópera de Tenerife confía en la plena recuperación de Ángeles Blancas, que afrontará este papel en las otras dos funciones previstas, programadas para el jueves y sábado de la próxima semana.

Actualidad

The Canarian coastline, an eastern palace and a magical atmosphere characterise next week's opera event

 

The in-house production of the opera Rusalka that Auditorio de Tenerife is preparing is ready for its premiere next week. On 5, 7 and 9 March at 7:30 p.m. The Symphony Hall will offer this show composed by Antonín Dvořák which over two hundred people are working on, including musicians, singers, craftspeople, and the technical and artistic team.

The soprano Ángeles Blancas, plays the starring role. She believes that "the ending of Rusalka is magical, it leaves you breathless" and she is "endlessly" grateful to the Auditorio de Tenerife for being able to do this Rusalka, an immensely beautiful role, which I last performed in 2007”.

“The passing years have helped me to bring greater depth to it, a broader dimension. Now my voice, mind and body are indeed ready to give the character everything that I feel this role needs, which is genuinely dramatic, with very dark and highly powerful tones, even though we are dealing with a young immortal aquatic nymph" reflects Blancas.

The recent winner of the Opera XXI Best Singer award acknowledges that "Rusalka is one of my favourite operas. The music of Dvořák makes you transcend, forget, leap into another dimension...every phrase has a story, none is in vain, and during the entire opera you surf over a sea of beauty”.

It will be the first time that this opera by the Czech composer has been staged on the island, coinciding with the 120th anniversary of his death. It also marks the debut in Spain of the Brazilian stage director André Heller-Lopes, who proposes a show that ranges between the classic and the contemporary with references to the Canarian coastline, eastern culture and the magic of nature.

This production has been taking shape for months in both Tenerife and other places around the world. As Indian fabrics were needed, part of the stage design was carried out in Italian workshops and several members of the team have travelled from Brazil. Also, there are twenty external companies and professionals linked to the project to carry out different aspects of it, from costume design details to the special effects inherent to audiovisual resources for staging and uncommon prop elements.

Heller-Lopes, the director of the opera, has shared his thoughts on the proposal. He found the idea of changing realities interesting and decided to make it a part of the opera. For instance, in acts one and three, which are usually fantasy worlds, he portrayed them as reality. On the other hand, act two, which takes place in a palace and is designed as a reality,

is a fantasy for the audience. The director also highlighted that the opera's subject matter is relevant to the present times, where there is a lack of communication due to social media, fake news and wars.

Heller-Lopes' team is completed by the set designer Renato Theobaldo, Marcelo Marques' costumes and the lighting designer Gonzalo Córdova. The Brazilian assistant director also undertakes choreographer duties with the dancers from the ballet Centro Internacional de Danza de Tenerife who are participating. The videographer Pedrós created the images that will be screened, and they have a great local component.

The British conductor Paul Daniel is the musical conductor of this show. He will conduct the Tenerife Symphony Orchestra and the Ópera de Tenerife-Intermezzo Choir, directed by Pablo Moras.

In addition to Ángeles Blancas, the cast of Rusalka's three performances includes the bass Vazgen Gazaryan as Vodník, Rusalka's father. The tenor Rodrigo Porras will play the prince with whom Rusalka falls in love. The soprano Magdalena Anna Hofmann plays the role of the foreign princess with whom the prince is infatuated. The witch Jezibaba, who grants Rusalka's wish, will be played by mezzo-soprano Adriana Bignagni Lesca.

The cast is completed by three wood spirits, played by soprano Julietta Aleksanyan and mezzo-sopranos Carmen Artaza and Maria Schellenberg. Baritone Jiří Brückler will take on the roles of a hunter and a forester, while mezzo-soprano Nicole Chirka will be the perceptive kitchen maid.

Rusalka, an opera in three acts, was premiered in 1901. It has a libretto by Jaroslav Kvapil, freely based on the fairy tale Undine (1811) by Friedrich de la Motte Fouqué and inspired by The Little Mermaid (1837), the work by Hans Christian Andersen, and other European tales. Rusalka is the most popular of the ten operas that Dvořák composed and the one that earned him an international reputation. The opera is in Czech and will have subtitles in Spanish and English.

Rusalka is a water nymph who falls in love with a prince and asks a witch to turn her into a human so that she can be with him. However, this transformation comes at the cost of losing her voice. The ending of the opera is tragic, which sets it apart from other versions of the same story that are often sugar-coated for children.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 02:00 p.m. There are discounts for students, unemployed and large families, and for those under 30, the price is 5 euros.

Actualidad

The opera version of `The Little Mermaid´, composed by Dvorák, is premiering in Symphony Hall on 5, 7 and 9 March

 

The Auditorio de Tenerife presents its in-house production of the opera Rusalka, by Antonín Dvořák, which will be staged in the Symphony Hall on 5, 7 and 9 March at 7:30 p.m. The details were announced by the provincial Minister for Culture of the Island Council of Tenerife, José Carlos Acha, the artistic director of the Auditorio de Tenerife, José Luis Rivero, the soprano Ángeles Blancas, who plays Rusalka, the musical director, the British maestro Paul Daniel, and the stage director, the Brazilian André Heller-Lopes, who makes his debut in Spain with this opera.

José Carlos Acha explained that "this premiere is taking place at the time of the 120th anniversary of the death of this famous Czech composer, the author of this opera”. He also recalled that "as on other occasions to explore this opera further, Ramón Gener is returning this Wednesday (21) at 7:30 p.m. to the Chamber Hall with his concert-talk format”. The island minister praised the work "of the highly talented team that is producing this piece, which stars Ángeles Blanca, who recently won the Opera XXI award for Best Singer”.

José Luis Rivero acknowledged that "we were keen to work with the maestro Paul Daniel at the Opera of Tenerife, and also with André Heller-Lopes, who is bringing us an interesting and intelligent show that won't fail to leave an impression on anyone”. Rivero stated that "this is the Tenerife premiere of this opera, as Rusalka had never been staged before" and finished by thanking "the entire team for the work that makes it possible to enjoy the opera in Tenerife”.

Paul Daniel recalled his beginnings as a repertoire performer in London when Rusalka had an impact on him. “Dvořák is a musical genius across all genres and this opera represents the Everest of his work as a composer, and he was already adored for his compositions filled with the human touch", analysed the British maestro. Regarding the score, he praised "how dramatic shifts in the story are reflected in the change of colours in the score”. “It takes a good orchestra to produce this opera, thank goodness we have the Tenerife Symphony Orchestra!" declared the musical director.

For André Heller-Lopes, "it is a great pleasure to be here and more so with this Rusalka, which is like the sister of the operas of Puccini and Dvořák, which is like a grandson of Wagner”.  “I like the freedom of being able to be a classic or modern stage director, according to what the opera needs, committing to connecting with people who come to the theatre" explained the Brazilian director. Regarding his show, he shared that "it seemed interesting to change realities; therefore, act one and three, which is normally the fantasy world is a reality for us, while act two, which takes place in a palace, devised as reality, is a fantasy for us”. Heller-Lopes also spoke about his reflection on "happily ever after, which doesn't exist, but which is a contemporary issue in this world of social networks, awful wars and fake news”. Lastly, he highlighted his Eastern inspiration due to a recent trip to Persia.

The singer Ángeles Blancas expressed her gratitude at being in Tenerife with this character "and the Ópera de Tenerife's boundless commitment to creativity”. The soprano recalled first performing this role in 2007 and that, although she was very well-prepared vocally, she "had the feeling that Rusalka needed greater drama and darkness, so I am thrilled to return to the role to express and sing with those full and rounded sounds that mix with darker melodies”. Therefore, this production consists of "reuniting with a commonplace that is very fulfilling on an artistic level for me”.

https://www.youtube.com/watch?v=DVNFx2EUCXk

Rusalka, an opera in three acts that premiered in 1901, has a libretto by Jaroslav Kvapil, freely based on the fairy tale Undine (1811) by Friedrich de la Motte Fouqué and inspired by The Little Mermaid (1837), the work by Hans Christian Andersen, and other European tales. Rusalka is the most popular of the ten operas that Dvořák composed and the one that earned him an international reputation. The opera is in Czech and will have subtitles in Spanish and English.

Rusalka is a water nymph who asks a witch to be turned into a human to be with the prince whom she has fallen in love with, even though this means losing her voice. The tragic ending to the opera differs from other versions of the same story which have been sugar-coated for children.

Heller-Lopes' team is completed by the set designer Renato Theobaldo, Marcelo Marques' costumes and the lighting designer Gonzalo Córdova. The Brazilian assistant director undertook choreographer duties with the dancers from Ballet de Tenerife who are participating. The videographer Pedrós created the images that will be screened, and they have a great local component.

The British conductor Paul Daniel is the musical conductor of this show and will conduct the Tenerife Symphony Orchestra and the Ópera de Tenerife-Intermezzo Choir, directed by Pablo Moras.

https://www.youtube.com/watch?v=vv6zSW1LKX0

Ángeles Blancas will play Rusalka, making this role her debut at Ópera de Tenerife. Bass Vazgen Gazaryan is Vodník, Rusalka's father. The tenor Rodrigo Porras will play the prince with whom Rusalka falls in love. The soprano Magdalena Anna Hofmann plays the role of the foreign princess with whom the prince is infatuated. The witch Jezibaba, who grants Rusalka's wish but not without imposing some very nasty conditions, will be played by mezzo-soprano Adriana Bignagni Lesca.

The cast is completed by three wood spirits, played by soprano Julietta Aleksanyan and mezzo-sopranos Carmen Artaza and Maria Schellenberg. Baritone Jiří Brückler will take on the roles of a hunter and a forester, while mezzo-soprano Nicole Chirka will be the perceptive kitchen maid.

The tickets are available on the website www.auditoriodetenerife.com, at the auditorium's box office or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 02:00 p.m. There are discounts for students, unemployed and large families, and for those under 30, the price is 5 euros.

 

Actualidad

This will be the last presentation given by the music disseminator on the season of Ópera de Tenerife.

 

Ramón Gener returns to the Chamber Hall of the Auditorio de Tenerife next Wednesday (21st) at 7:30 p.m. to tackle about Antonín Dvořák's opera Rusalka. This will be the sixth and last lecture given by the musical educator about the 2023-2024 season of Ópera de Tenerife. On this occasion, he reveals the details of the opera that takes place on 5, 7 and 9 March, inspired by Hans Christian Andersen's The Little Mermaid (1837) and other European legends. Tickets for this show with Ramón Gener are available for eight euros.

Gener explains the plot, the emotions, the characters, the music, and the themes in an entertaining and accessible way, using contemporary similes and interpreting some fragments on the piano to reinforce his explanations. It is an opportunity for all those who want to learn more about this show before the performances and even for those who have never been to an opera and want to know the details before attending the performance.

Rusalka, premièred in 1901, will be staged in an in-house production by the Auditorio de Tenerife. This opera in three acts is led by the artistic team of Brazilian André Heller-Lopes, who makes his debut in Spain as a stage director with Ópera de Tenerife.

The soprano Ángeles Blancas, recent winner of the award for Best Opera Singer XXI, will play Rusalka, a water nymph who asks a witch to be turned into a human in order to be with the prince who she has fallen in love with, despite the fact that this means losing her voice. The tragic ending to the opera differs from other versions of the same story which have been sugar-coated for children.

Ramón Gener has just won the XLIV Ramon Llull Prize for his novel Història d'un piano, which will be published by Columna (in Spanish, by Destino) and will be in bookshops on 6 March, the day after the award ceremony.

Born in Barcelona, Ramón Gener holds a degree in Humanities and Business Studies. He began his studies as a musician at the age of 6 at the Higher Conservatoire of Music of the Liceu, specialising in piano. He later studied singing and, after a career lasting several years as a baritone, he began a new phase as a musical educator, offering conferences about opera, classical music and art.

The tickets for this conference by Gener are available on the website www.auditoriodetenerife.com, at the auditorium's box office, or by dialling the phone number 902 317 327 from Monday to Friday from 10:00 a.m. to 5:00 p.m., Saturdays from 10:00 a.m. to 2:00 p.m. Check the special discounts for the audience under 30 years of age, students, unemployed, and large families.

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