Sonate a quattro

Georg Friedrich Händel (1685–1759)

Sonata a quattro en sol mayor, op. 5, no. 4
Allegro – A tempo ordinario, Allegro non presto – Passacaille – Gigue – Menuet

Alessandro Scarlatti (1660–1725)

Sonata a quattro senza cembalo en fa menor
Grave – Allegro – Largo – Allemanda

Georg Philipp Telemann (1660–1725)

Sonata en la menor, TWV 43:a5
Grave – Allegro – Adagio – Allegro – Largo e staccato – Allegro

Johann Gottlieb Goldberg (1727–1756)
Sonata a quattro en do menor
Largo – Allegro – Grave – Giga      

-Pausa-

Johann Friedrich Fasch (1688–1758)

Sonata à 4 en re menor, FaWV N:d3
Largo – Allegro – Largo – Allegro

Johann Georg Pisendel (1687–1755)

Concerto da camera en si-bemol mayor

Allegro – Moderato – Allegro

Johann Gottlieb Janitsch (1708–1763)

Quadro en re mayor

Un poco Andante – Allegro un Poco Poderato – Allegro assai 

‘The real surprise comes from the orchestra pit where Johannes Pramsohler conducts his Ensemble Diderot with a refinement worthy of the greatest.’ 
Le Figaro

‘Splendidly prepared to follow in the footsteps of the legendary Musica Antiqua Köln.’
Classica

‘Forming part of the elite of large early music groups for over a decade, Ensemble Diderot is characterised by the technical excellence and rigour of its undertakings, offering in its programmes −in recordings and concerts− a seldom heard repertoire.’
Scherzo (Imanol Temprano)

‘Ensemble Diderot shines brightly in its debut at the National Auditorium.’
Scherzo

‘Johannes Pramsohler, Roldán Bernabé and Simone Pirri proved to be sensational musicians. It shall be said that their interpretive focus was that of a musician rather than virtuosos. Along with producing beautiful sound, agile fingerings and a variety of technical skills demanded by these works, their rendition also captured the cantabile quality essential for approaching these pieces. In the interpretation, they adhered to the refinement in expression characteristic of Italian Baroque instrumental music, which was always compared to the standard of vocal music. Failing to uphold this standard would result in the loss of part of the music's charm.’
Scherzo