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The tickets for the last two concerts of the Sinfónica de Tenerife’s extraordinary series are now on sale at five euros. The third concert is titled Serenata nocturna and its repertoire includes works by Haydn, J. C. Bach and Mozart under the baton of leader and conductor David Ballesteros. It is taking place on Friday, the 3rd at 7:30 pm in the  Sala Sinfónica of this venue, which is under the Department of Culture, Education, Youth and Sport of the Cabildo de Tenerife, run by councillor Concepción Rivero. Because of the high demand (tickets for the 3rd July concert were sold out the same day they were put on sale, Tuesday, the 30th), a new performance has been scheduled for 4 July at the same time.

How to buy tickets

Tickets can be purchased in twos on the website www.auditoriodetenerife.com and on  902 31 73 27. If you wish to buy a single seat or an odd number of seats, you need to arrange it by telephone.

Safety and prevention measures

Auditorio de Tenerife kindly asks the audience to arrive at the lobby 15 minutes before their designated time to enter the auditorium (it depends on your row and it is specified on your ticket and on the email you get the day before the concert) for a hassle-free access to the theatre. The new safety measures currently in place in the building include the compulsory use of a face mask, having your temperature taken and no breaks. Both the GastroMag coffee-bar and the car park are available.

About the repertoire

The Cabildo’s orchestra has prepared a repertoire that includes Symphony nº 44 in E minor “Trauer”, Hob.I:44, by Franz Joseph Haydn; Symphony nº 6 in G minor, op. 6, W. C12, by Johann Christian Bach, and Serenade nº 6 in D major, “Serenata notturna”, KV 239, by Wolfgang Amadeus Mozart.

David Ballesteros is currently a violinist at the London Symphony Orchestra where he has played from classical repertoires to film soundtracks like Star Wars or Harry Potter, regularly working with Simon Rattle and Valery Gergiev. He also takes part in the Orquesta BandArt, where he is head of the social integration area carrying out activities in hospitals, old people’s homes, and prisons.

Tenerife-born Ballesteros started his studies at the Conservatorio de Santa Cruz de Tenerife, where he did conducting and performing music of the Classical period with the original instruments. He has worked with composers like Sofia Gubaidulina, Thomas Adés, James MacMillan, Laura Vega, José Brito, Manuel Bonino, Ernesto Mateo, Sergio Rodríguez, or Ernesto Aurignac. He has taught at the Orquesta Simón Bolívar in Venezuela, the New World Symphony in the United States, the Jove Orquestra Nacional de Catalunya, the Joven Orquesta Nacional de España and in London’s Guildhall School of Music, among other institutions. He has been a teacher at the Verbier Festival in Switzerland since 2015.

Comming soon

Bruckner’s Symphony nº 7 is Sinfónica de Tenerife next concert at the Auditorio and also the last of this extraordinary series. It is taking place on Friday, 10 July at 7:30 pm and will be led by honorary conductor Víctor Pablo Pérez. 

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Auditorio de Tenerife has increased the seating capacity of its main stage to 300 to welcome Sinfónica de Tenerife’s second concert, Divertimento, with a reduced number of musicians. It is taking place on Friday, the 26th at 7:30 pm. Tickets will be on sale for the general public on Wednesday the 24th. This repertoire will also be played on Saturday, the 27th at 8:30 pm in Teatro El Sauzal.  Tickets are available on www.teatroelsauzal.com and at the theatre’s box office.

Este aumento en las localidades del Auditorio se debe, por un lado, a que la isla se encuentra bajo la legislación de la nueva normalidad y, por otro, al éxito y buena acogida de las nuevas normas de seguridad e higiene que fueron puestas a prueba en los dos conciertos de Titán de Mahler el pasado fin de semana, que se desarrollaron sin ninguna incidencia.

The main changes include the audience arriving an hour before the show starts, entering the auditorium gradually, wearing a face mask, and having their temperature taken. Before the concert the audience is informed about all the measures, which you can also see here. The GastroMag coffee bar and Auditorio de Tenerife car park are available for this music series.

For this new Auditorio de Tenerife’s concert, the Department of Culture, Education, Youth and Sport of the Cabildo de Tenerife, run by Councillor Concepción Rivero, is putting 300 seats on sale next Wednesday while they are available for  Sinfónica subscribers from today.

Tickets cost five euros and you can buy a pair of seats here on the website www.auditoriodetenerife.com or calling 902 31 73 27; for one seat or an odd number of seats, can only be purchased by telephone from 10:00 am to 2:00 pm. The box office is also available Monday to Friday from 10:00 am to 2:00 pm. You need to make an appointment on https://auditoriodetenerife.sedelectronica.es/citaprevia.0 or on 922 56 86 25.

About the repertory 

This time the Cabildo’s orchestra will play a musical repertoire with David Ballesteros acting as leader of the orchestra/conductor. The pieces include St. Paul’s Suite, op. 29, by Gustav Holst; Holdberg Suite, op. 40, by Edvard Grieg; I crisantemi, by Giacomo Puccini, and Divertimento in D major KV 136, by Wolfgang Amadeus Mozart.

Holdberg Suite, op. 40 by Edvard Grieg is a musical tribute to Norwegian playwright and essayist Ludvig Holberg on the 200th anniversary of his birth. It is an evocation of 18th century dance suites of his native country.

Giacomo Puccini’s I crisantemi was composed for a string quartet or a string orchestra. Its melancholy, grieving language maintains the exciting identity of the Italian author.

Wolfgang Amadeus Mozart’s Divertimento in D major KV 136 brings the concert to an end with enthusiastic, youthful excitement.  The three movements correspond to the structure of Italian overtures and are permeated with the idiosyncrasy and light of Mediterranean music.

 

Ballesteros

Ballesteros is currently a violinist at the London Symphony Orchestra where he has played from classical repertoires to film soundtracks like Star Wars or Harry Potter, regularly working with Simon Rattle and Valery Gergiev. He also takes part in the Orquesta BandArt, where he is head of the social integration area carrying out activities in hospitals, old people’s homes, and prisons.

Tenerife-born Ballesteros started his studies at the Conservatorio de Santa Cruz de Tenerife, where he did conducting and performing music of the Classical period with the original instruments. He has worked with composers like Sofia Gubaidulina, Thomas Adés, James MacMillan, Laura Vega, José Brito, Manuel Bonino, Ernesto Mateo, Sergio Rodríguez, or Ernesto Aurignac.

He has taught at the Orquesta Simón Bolívar in Venezuela, the New World Symphony in the United States, the Jove Orquestra Nacional de Catalunya, the Joven Orquesta Nacional de España and in London’s Guildhall School of Music, among other institutions. He has been a teacher at the Verbier Festival in Switzerland since 2015.

Auditorio’s next concert, part of this Sinfónica de Tenerife extraordinary repertoire, is Serenata nocturna. It will take place on 3 July under the same leader of the orchestra and conductor. The series closes on 10 July with Bruckner’s Symphony nº 7, under the baton of Víctor Pablo Pérez, who was also in charge of the first two sessions.

 

 
 
Next performances of Sinfónica de Tenerife:

26th of juneDivertimento

3th of julySerenata nocturna

10th of julySéptima de Bruckner

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Sinfónica and the Auditorio de Tenerife’s first activity after lockdown Mahler’s Titan was so well-received that tickets sold out, prompting the Cabildo to stage a second performance on Saturday, the 20th. Tickets are out on sale from today, Monday the 15th. The concerts, conducted by Víctor Pablo Pérez, will be at 7:30 pm on Friday and Saturday at Auditorio de Tenerife’s Sala Sinfónica. The orchestra will perform with a reduced number of musicians to comply with the current safety regulations.

The Department of Culture, Education, Youth and Sport of the Cabildo de Tenerife, led by Councillor Concepción Rivero, pointed out that in view of the current safety measures, these concerts will seat 188 people each and the audience is asked to arrive one hour before the concert starts. Tickets for Saturday concert are on sale, for paired seats, from 11:00 am today on Auditorio de Tenerife website and on phone number 902 31 73 27, at five euros per ticket. Just one seat or an odd number of seats can only be booked by telephone.

The new safety measures include, apart from reducing the number of seats available, entering and leaving the auditorium gradually and guided by Auditorio staff; compulsory use of masks, taking the audience temperature, and no intermission, among others. There are also different signs in the building. Buyers will be fully informed about all these measures before the concerts. You can also see them on Auditorio de Tenerife’s website.

GastroMag coffee bar is opening on Thursday, the 18th with all the applicable safety and hygiene measures in place. Auditorio de Tenerife car park is also available for these concerts and the box office opening hours are Monday to Friday from 10:00 am to 2:00 pm by appointment only, which you can make on  //www.auditoriodetenerife.com/contactar or by calling 922 56 86 25. The shop remains closed.

The show is approximately one hour long, and Cabildo de Tenerife’s Orchestra picks up their last performance by starting with the Aria of Suite nº 3 in D major, BWV 1068 by Johann Sebastian Bach, which they played on 20 February before the lockdown. Next they will play Gustav Mahler’s Symphony nº 1 in D major, Titan, for chamber orchestra arranged by Iain Farrington.

The honorary conductor of the Tenerife ensemble, Víctor Pablo Pérez, studied at the Real Conservatorio de Música de Madrid and at Hochschule für Musik in Munich. From 1980 to 1988 he was artistic director and principal conductor of the Sinfónica de Asturias and from 1986 to 2005 of the Sinfónica de Tenerife. In 1993 he took charge of the Sinfónica de Galicia until 2013, when he joined the Orquesta y Coro de la Comunidad de Madrid as artistic director and principal conductor. He has been artistic director of the Joven Orquesta de Canarias since 2017. This ensemble is made up of young musicians from all the archipelago.

He has received numerous awards: Premio Ojo Crítico de Radio Nacional de España (1990), Premio Ondas (1992 and 1996), Premio Nacional de Música (1995), Medalla de Oro a las Bellas Artes (1999), Honorary Conductor of Sinfónica de Tenerife (2006), Honorary Conductor of Sinfónica de Galicia (2013), Hijo Adoptivo de Tenerife and Medalla de Oro del Gobierno de Canarias. Apart from conducting nearly all the Spanish orchestras, Víctor Pablo Pérez is also invited by international ensembles and he often takes part in major international festivals.

The repertoire starts with the Aria of the Orchestral Suite nº3 by Johann Sebastian Bach (Eisenach, 1685 – Leipzig 1750), one of the most recognised pieces by the Baroque composer. It is an adagio alla italiana in contrast with the French style of the first movement of the suite. It is part of a succession of dances of the period with different origins and characteristics and divided by undanceable fragments. Although the original score includes some wind instruments -oboes and trumpets-, strings feature more significantly, which explains why arrangements for strings only have become popular. 

Gustav Mahler’s Symphony nº 1 (Kaliste, 1860 – Vienna 1911) has a pre-Romantic foundation, in fact, it is based on the writings of Jean Paul Richter about the deeds of a hero who manages to rise above his alter ego thanks to his imagination, inner peace and the force of nature. Mahler was captivated by his lines and composed his Symphony nº 1, which he presented in Budapest on 20 November 1889. It was first a symphonic poem in two sections with descriptive titles in five movements (including the well-known Blumine, which he later removed). After revising the score, in 1897 he finished the current four-movement version.

Mahler expresses different emotions both related to his experience of nature and to certain autobiographical matters. In fact, the beginning suggests a somewhat mysterious summer dawn, depicting the early sunrays with a pianissimo drone in the strings. Some of the most relevant features of his musical style are present in this piece, including the free, expressive use of musical forms, and fanfares, marches or popular dances.

Shows: 

19th of june: Titán de Mahler

26th of june: Divertimento

3th of july: Serenata nocturna

10th of july: Séptima de Bruckner

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The Department of Culture, Education, Youth and Sport of the Cabildo de Tenerife, led by councillor Concepción Rivero, restarts its stage activity with four concerts by the Orquesta Sinfónica in the Auditorio de Tenerife, to take place on 19 and 26 June and 3 and 10 July. It is an extraordinary programme with a reduced group of some twenty musicians led in two occasions by Víctor Pablo Pérez, honorary conductor of the Sinfónica, and twice by David Ballesteros, leader of the orchestra and conductor.

These concerts will be held once the safety and hygiene measures have been implemented both for the audience and the workers so that this artistic experience can be enjoyed while safety is absolutely guaranteed. They will all be held at Auditorio de Tenerife’s Sala Sinfónica and start at 7:30 pm, although the public is kindly asked to come one hour earlier. Tickets cost five euros.

Tickets will be on sale from Saturday, the 13th in pairs on Auditorio de Tenerife’s website and on 902 31 73 27. If you wish to buy just one seat or an odd number of seats you can do it at the box office by appointment only. Please  make your appointment on www.auditoriodetenerife/contactar or call 922 56 86 25 so you can be served at the box office or by telephone. Tickets will be on sale up to two hours before the concert starts. Tickets will be available to Sinfónica de Tenerife subscribers two days earlier than for the general public.

The first programme is about one hour long and it starts with five minutes of Johann Sebastian Bach and his Aria of Suite nº 3 in D major, BWV 1068, picking up Sinfónica’s last concert on 20 February, when they played this work under the baton of  José Manuel Zapata. The orchestra will then play Symphony nº 1 in D major, Titan, for chamber orchestra, arranged by Iain Farrington so that Gustav Mahler can be enjoyed in this era of small ensembles. These pieces will be conducted by Víctor Pablo Pérez.

There are 188 seats on sale now, as the island is currently in Phase 3 of the national de-escalation and seats must be two metres apart. The new safety measures include, in addition to admitting fewer people, coming in and going out of the auditorium gradually and guided by Auditorio staff, compulsory use of masks, taking the temperature of users and no intermissions, among others. There will be different signs in the building too. Buyers will be informed before the concert of all these measures. You can also see the information on Auditorio de Tenerife website.

The GastroMag coffee bar will open the day before the first concert and will apply all the appropriate safety and hygiene measures. Auditorio de Tenerife’s car park is also available for these concerts. Please remember the box office is open Monday to Friday from 10:00 am to 2:00 pm by appointment only. The shop is currently closed.

The second concert of this extraordinary programme by Sinfónica de Tenerife will be held on 26 June, featuring David Ballesteros as leader of the orchestra and conductor, and including works by Holst, Grieg, Puccini and Mozart. The same conductor will lead the orchestra on 3 July, when they will play pieces by Haydn, Bach and Mozart. In the last extraordinary concert, under Víctor Pablo Pérez, they will play Bruckner’s Seventh Symphony. The conductor, Medalla de Oro de Canarias [Canaries Gold Medal], had led Sinfónica de Tenerife performing this piece in the past but never as a reduced ensemble: this is new to both of them.

Performances: 

19th of June : Titán de Mahler

26th of June: Divertimento

3th of July: Serenata nocturna

10 of July: Séptima de Bruckner

 

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Auditorio de Tenerife is reopening its box office tomorrow [Tuesday, 9 June] by appointment and using new safety measures to make it safe to all the users. The main goal of reopening, from 10:00 am to 2:00 pm Monday to Friday, is to refund the money paid for the tickets of cancelled events which were sold either at the box office or by telephone. Tickets purchased via the website are gradually being refunded.

To come to the Auditorio de Tenerife facilities, you can book a 15-minute appointment as from today [Monday, the 8th] via the website www.auditoriodetenerife.com/contactar or by calling 922 56 86 11, where we will also answer any queries you may have regarding this procedure, rescheduling or cancellation of the shows. The same person who provided his/her details when buying the tickets is the one that must come in person to deal with the refund procedure.

Make an appointment

If you wish to arrange your appointment online, please find all the steps here to make it even easier for you.

The measures implemented by the Auditorio de Tenerife to offer safety to users during this operation are as follows:

- By appointment to avoid a mass gatherings and waiting.

- Entry and exit corridors with safety distance marks.

- Hygienic desks with hydroalcoholic gel

- Screens separating users from workers, who are wearing masks and gloves.

Users are kindly asked to be punctual, responsible and to wear a mask.

The building that houses this Cabildo institution is gradually getting back to normal and some workers, who cannot do their job from home, have returned. The whole team is focused on implementing the new prevention, hygiene, and safety measures so that the building is ready for work with absolute guarantee. Although the shows that were scheduled until 31 August have been cancelled, we have not fully discounted the possibility of new shows designed for the current circumstances.

Auditorio de Tenerife’s social networks keep sharing contents about our projects and have also now started to show animated videos about some of the measures to be taken ahead of the much hoped-for reopening.

 

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... the architect Santiago Calatrava took inspiration from the human eye for the design of the iconic #AuditoriodeTenerife building?

... the organ of the Symphony Hall of the #AuditoriodeTenerife is formed by 3835 pipes?
Built by the master organ builder Albert Blancafort two years after the hall, it is a unique piece worldwide.

... the wing of the #AuditoriodeTenerife measures 130 metres long of which 62 are not supported at all?

... the stage box of the Symphony Hall of the #AuditoriodeTenerife is the largest in the Canary Islands?

It has a surface area of 380 m2, a mouth that is approximately 16-metres wide and 10 metres high, and a depth of 14 metres.

... the #AuditoriodeTenerife is also a venue with thousands of options for the locations of all kinds of productions?

Films such as 'Rambo V: Last Blood', series such as the British 'Doctor Who', and music videos, such as that of the song 'Universo' by Blas Cantó show images of the iconic outline of our building.
Recently, Yeray Vargas from Tenerife created a series of spectacular photo montages in which he integrated some of the most well-known scenes from the film world with the exteriors of the building.

... more than 50 panels cover the roof of our Symphony Hall?

Its internal metal structure makes it possible to move panels freely and thus change the acoustics of the hall, adapting to the needs and technical characteristics of each type of show.

... our Chamber Hall is an exceptional small amphitheatre for acoustics?

The sound produced on stage is transported by the wood and plaster structure formed by the roof, directing it towards the end of the hall where there are wood panels that amplify the sound.

... the Auditorio de Tenerife has two terraces which, in the shape of slight symmetrical curves, surround the Symphony Hall offering a walk around the building?

These are the City Terrace, with a clear urban character and views over the centre of Santa Cruz, and the Atlantic Terrace, with sea views, calmer and more spiritual.

... you can go on a virtual tour virtual visit around all the areas of the Auditorio de Tenerife?

 

 

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Auditorio de Tenerife, part of the Department of Culture, Education, Youth and Sport of the Cabildo de Tenerife, keeps working with the specialization academy Opera(e)Studio, which has made changes in its usual calendar. The current situation and its consequences in terms of safety and international mobility have led to the relocation of the auditions and the staging of the eighth opera, which is co-produced with Teatro Regio di Parma and Teatro Massimo di Palermo.

The auditions were meant to take place between 11 and 19 May 2020 in the Spanish municipalities of Madrid and Santa Cruz de Tenerife and in the Italian cities of Parma and Palermo. We are currently trying to find the best date at the end of the present year to carry out these tests safely and with all the health and quality guarantees for participating singers.

Therefore, the calendar of this Ópera de Tenerife programme has changed. The production of Il matrimonio segreto by Domenico Cimarosa, that was scheduled for October 2020, will now take place in the first quarter of 2021, provided that this exceptional situation allows it. Later, the production and the same cast will travel to the two co-producing theatres.

Although the registration deadline was on 19 April, Ópera de Tenerife announced registration is to be kept open. In fact, with the aim of offering the best options to interested artists, the registration period is extended until further notice. The audition dates will be published as soon as possible on the programme’s website www.operaestudio.eu.

All those who are already registered will individually receive this information on their email. If candidates have any doubts or need further information they can write to This email address is being protected from spambots. You need JavaScript enabled to view it.. Ópera de Tenerife thanks you for your support and understanding in this complex situation.

This programme for young artists aims to provide highly specialised training in the international opera field while also acting as a showcase and springboard for many of the singers. In past years candidates from more than 24 countries have taken part in the auditions. Ópera (e)Studio also shows the technical production work done at Auditorio de Tenerife, which in 2019 and 2020 was recognised by the European Commission’s Creative Europe programme which reflects its development, sustainability, job creation and training.

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The complications arising from the spread of the Covid-19 pandemic have finally led to the cancellation of MAPAS 2020 [South Atlantic Performative Arts Market] despite the effort made by the organisers Cabildo de Tenerife, unahoramenos and Circulart. The event was scheduled to take place from 8 to 11 July in Santa Cruz de Tenerife.

Despite the great expectation created at the beginning of the year, the organisers have decided to put the event off as the health and well-being of participants, artist groups, and cultural programmers, who come mostly from foreign countries, as well as that of Tenerife residents, is above other matters. The call issued in early 2020 recorded 2,286 proposals from 71 countries across Latin America, Africa and southern Europe, which means a 161,56% increase over 2019. This figure foreshadowed a major qualitative leap for this year market.

As a cultural project that bases its activity on the mobility of programmers and artists showing at international circuits, MAPAS wants to keep this method of work and contact with the performing arts and music sectors. So, it will carry on communicating via its social networks all the news that are relevant to the community it represents.

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32 piezas audiovisuales generadas por artistas escénicos y cuatro mesas redondas de profesionales del teatro reflexionan -desde lo artístico y lo teórico- sobre la actual pandemia planetaria
 

La Red Eurolatinoamericana de Artes Escénicas REDELAE, a la que pertecene MEI, pone en marcha el festival online Tu casa es el escenario. Desde nuestra Muestra participamos con la pieza audiovisual 'Aislados-Poéticas del hogar' de Paloma Hurtado el martes 25 de mayo a partir de las 21:00 horas en Canarias. Además, nuestro director artístico, José Luis Rivero, forma parte, junto a otros profesionales de la gestión cultural, de la conversación de esa jornada, titulada: La gestión de las artes escénicas en tiempos de coronavirus, ¿brindamos por la vuelta?

La Maldita Vanidad, Gabriel Calderón, Kukai Dantza o Sara Barros son algunos de los nombres detrás de la treintena de piezas audiovisuales que componen una polifónica programación que aborda lenguajes como la danza, el texto teatral o el circo y que surge de la invitación de los festivales y ferias que forman parte de REDELAE a su comunidad artística para reflexionar sobre la actual situación de confinamiento global. Desde el próximo lunes y hasta el jueves, se emitirá la programación en dos horarios simultáneos para todo el territorio eurolatinoamericano en la web www.redelae.org.

Cada día del festival se podrá disfrutar de entre 7 y 9 piezas programadas, precedidas de un encuentro que invitará a dramaturgos y dramaturgas como Fabio Rubiano, Lucero Millán, Raquel Araújo o Gabriel Calderón, profesionales de la gestión escénica como Octavio Arbeláez, Ada Acuña o Claudio Fuentes, y direcciones de festivales o ferias como el FITEI -Gonçalo Amorim- de Oporto, DFERIA -Norka Chiapusso- o Festival MUECA de Puerto de la Cruz -Marcelino Martín-, entre otras, a debatir sobre los desafíos y preguntas que nos lanza esta excepcional situación de pandemia global. Unas y otros son convocados a compartir impresiones en torno a la configuración festivales y citas escénicas, los desafíos para la creación y los futuros posibles del teatro desde  un presente en el que las medidas de protección social frente al virus penalizan todos los atributos del hecho teatral: el encuentro, el intercambio, la conexión, la presencia…

Una iniciativa de REDELAE

La Red Eurolatinoamericana de Artes Esce´nicas –REDELAE– nace en 2013 a partir del deseo de varios profesionales de la gestión y dirección de festivales, ferias y mercados de artes esce´nicas de Europa y Latinoame´rica de establecer canales organizados de intercambio, encuentro y creacio´n arti´stica por encima de las barreras nacionales.  Un total de 27 entidades forman parte de esta red cuya misión es la de hacer de las artes escénicas un territorio de conocimiento mutuo, transfronterizo, de encuentro y diálogo entre culturas, proyectos artísticos y agentes culturales para promover un desarrollo internacional de las AAEE inspirado en el intercambio, la escucha común y ajeno a las actuales lógicas del mercado y la industrialización de la cultura en una contribución a la fluidez del diálogo Norte-Sur / Sur-Sur.

En la actualidad, la red está en fase de preproducción de dos espectáculos que se estrenarán en diciembre de 2020. Más información sobre la red, miembros y actividades se puede consultar en www.redelae.org.

Coordenadas de la programación: lunes 25, martes 26, miércoles 27 y jueves 28

Una hora de conversatorio y una hora aproximada de espectáculos.

Dos rangos horarios para todos los días:

País Vasco - Madrid: 22:00 hs y 01:00 hs

Canarias - Londres - Oporto: 21:00 hs y 00:00 hs

Costa Rica, Nicaragua: 14:00 y 17:00 hs

Colombia, México, Panamá: 15:00 y 18:00 hs

Chile y República Dominicana:  16:00 y 19:00 hs

Uruguay y Brasil:  17:00 y 20:00 hs

EN WWW.REDELAE.ORG

PROGRAMA DE CONVERSACIONES

Día 1. Lunes 25

Construcción en el abismo. Un festival en tiempos “pandémicos”

Presentación: Octavio Arbeláez

Director del Festival Internacional de Teatro de Manizales, Colombia

   

Día 2. Martes 26

La gestión de las artes escénicas en tiempos de coronavirus, ¿brindamos por la vuelta?

Marcelo Utrera

Director del Festival Temporales Internacionales Teatro. Puerto Montt, Chile

Ana Belén Santiago

Redelae. Responsable Artística del Teatro del Barrio. Madrid - España

Ada Acuña

Productora del Festival Internacional de las Artes. San José, Costa Rica

Modera: Gustavo Zidan

Director de la Sala Verdi. Montevideo, Uruguay

   

Día 3. Miércoles 27

Crear en confinamiento: libertad para volar. Sesión 1

Raquel Araújo

Dramaturga y directora teatral. Directora de La Rendija. Mérida México

Gonçalo Amorim

Director teatral. Director artístico de FITEI. O Porto, Portugal

Marcelo Bones

Director teatral. Bello Horizonte, Brasil

Reynaldo Dysla

Dramaturgo y director teatral. República Dominicana

Modera: Norka Chiapusso

Director de dFERIA. San Sebastián, España

   

Día 4. Jueves 28

Crear en confinamiento: “¿el volar es para los pájaros?”. Sesión 2

Mario Espinosa

Director teatral. Ciudad de México

Fabio Rubiano

Dramaturgo, actor y director teatral. Bogotá, Colombia

Gabriel Calderón

Dramaturgo, actor y director teatral. Montevideo, Uruguay

Lucero Millán

Dramaturga, actriz y directora teatral. Managua, Nicaragua

Modera: Claudio Fuentes

Director Festival Off. Santiago de Chile

     

PROGRAMACIÓN ARTÍSTICA

Día 1. Lunes 25

   

Obra

Compañía / Artistas

País

Stopman

Sandra Ferrús & Martxelo Rubio

País Vasco -España

Sin título

Gabriel Calderón

Uruguay

Hamlet - Acto III, Escena IV

4 Paredes

Colombia

Auxilio Socorro

La Llave Maestra

Chile

Desierto de Tela

La Rendija - Mira B, Verónica Santiago Moniello

México

Cap 1. Todo está muy bien

Mimo Tuga

Chile

Indolescente

Temporada de Teatro Viral

Colombia

Día 2. Martes 26

   

Obra

Compañía / Artistas

País

Proclamação da Existência

Sara Barros

Portugal

La Familia

AteneASP

País Vasco -España

El Bachiller

Fabio Espinosa

Colombia

Aislados-Poéticas del hogar

Paloma Hurtado

España

Se fue el agua

Las vecinas de los kilómetros

República Dominicana

Cuando las puertas se abran, las cerraré

Sivia Varón

Colombia

Terapia en tiempo de cuarentena

El Galpón

Uruguay

Cenas de Casa Alto I

Varios artistas APTR

Brasil

Día 3. Miércoles 27

   

Obra

Compañía / Artistas

País

Mirar al interior de una casa

Teatro UNAM

México

Dist-Ansia

Marianela Boan

República Dominicana

Despertar

Rafa Zea y Juana Arboleda

Colombia

Dilación

Indra Ordaz y Erik Soto

México

Silencio

Iván Corral

Uruguay

Dentro de ti

Diana Ángel

Colombia

Muxuka

Verdini Dantza Taldea

País Vasco -España

04.2020

Milvia Martínez y Enrique Castro Ríos

Panamá

Cenas de Casa Alto II

Karen Acioly, Marta Paret e Monique Gardenberg

Brasil

Dia 4. Jueves 28

   

Obra

Compañía / Artistas

País

Nos volveremos a abrazar

Erika Ancona

México

Butoh Pandémico - Stop Motion

Compañía Requiem

Chile

Día 0

Angie Liseth Díaz

Colombia

Oskara etxean

Kukai Dantza

País Vasco -España

Quédate en casa

Kevin Pérez

Nicaragua

Monólogo

Temporada de Teatro Viral

Colombia

Sin Subtítulos

Actinio Sala Virtual

Panamá

Peritas

Félix Albo

España

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Remember that beautiful production of La Traviata that we took to La Laguna, Garachico, Puerto de la Cruz and Adeje? We can’t get it off our mind either. As it’s been impossible to see it again this year, we thought we’d bring it to you in a different way. So, this includes greatest moments and curiosities about the costumes and stage design. On 22 and 23 May we released a special La Traviata programme that includes a 45-minute selection of the best scenes of this special title. Enjoy it!

 

Would you like to learn more about this Opera Pocket show? Paolo V. Montanari, Ópera de Tenerife production crew, Jorge Cabrera, Technical Production Manager at Auditorio de Tenerife La Traviata set designer, and Javier Caraballero, La Traviata costume designer

  

 

To find out what this title meant to Ópera de Tenerife we decided to talk to two key professionals involved in the production: Alessandro Palumbo, musical director, and Alejandro Abrante, stage director. Listen to the conversation here:

 

Also, here’s the evocative prelude that set the scene for the main character. We didn’t want you to miss out on the way we presented this initiative for the first time, in style!

 

Here go some photographs of this genuinely Verdi production:

 

  • 2018 La Traviata4 Paraninfo
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    We’ll upload more contents this week but you can now enjoy the contents that we’ve prepared for you on our social networks and our Youtube channel. If you like, sign up for our newsletter and get all the contents and more in your inbox.

    Take care =)

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    ¡Feliz Día Internaciona de la Familia!

    Para Auditorio de Tenerife las familias son fundamentales. Por eso, tratamos de implicarlas en nuestros proyectos todo lo posible. Nuestra Área Social y Educativa siempre cuenta con los 'papis', 'mamis' y tutores para que estén al tanto y participen de todo lo que hacen sus 'peques' con nosotros. Es cierto que ahora mismo no podemos vernos pero eso no quita para que te hayamos preparado una sorpresa para hoy: queremos que hagas un instrumento en familia y lo hagas sonar, reviviendo nuestro Hansel y Gretel de Handel.

    Despierta tu imaginación para crear y decorar libremente tus propios instrumentos cotidiáfonos, que son aquellos realizados con materiales u objetos cotidianos. El realizarlo cumple con varias funciones: reutilizas, elaboras manualidades y disfrutarsde un buen rato musical. Puedes utilizar directamente elementos como dos lápices o dos cucharas de madera para tocar a modo de claves, aunque decorados estarán mucho más bonitos.

    También puedes realizar unas maracas, tan solo necesitas:

    • • Un envase vacío (botellas de agua, yogur líquido…).
    • • Unos elementos pequeños que puedas introducir (botones, arroz, garbanzos…).
    • • Una tapa, para que no se salgan al agitarlos, ésta puede ser la misma tapa del envase o utilizar papel y cinta adhesiva.

    Ahora, haz sonar esta partitura con tu propio intrumento o con las palmas. Aquí tienes la sencilla partitura

    Descarga la partitura

     

    En este vídeo te explicamos de primera mano nuestra propuesta y te ayudamos a hacer sonar la partitura. ¡Que te diviertas!

     

    Pero el Día Internacional de la Familia no acaba aquí: desde las Escuelas de Teatro han preparado multitud de vídeos con mensajes positivos para este día. Te mostramos dos de ellos para que comaprtas con nosotros la alegría de seguir conectados.

     

    Aquí tenemos a Attenery, que ha adaptado su novela favorita para niños y niñas con TEA.

     

    Los alumnos adultos de la escuela de La Laguna se han unido para leernos unos versos de Mario Benedetti.

    Esperamos que estos vídeos te hayan inspirado. Puedes disfrutar de los contenidos que hemos ido creando para ti en nuestras redes sociales y nuestro canal de Youtube. Y si quieres puedes también suscribirte a nuestro boletín un poco más abajo en esta página y recibir todos estos contenidos y más en tu email.

    Sigue cuidándote ♥

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    El Área de Cultura, Juventud, Educación y Deportes del Cabildo de Tenerife, al frente de la cual se encuentra la consejera Concepción Rivero, suspende toda la actividad cultural prevista para los próximos meses y reorganiza toda la programación para hacerla coincidir con los pasos de desescalada que se dicten desde el Gobierno de España.

    De esta manera, dicha dirección insular viene trabajando, juntamente con los gerentes y las direcciones artísticas de las diferentes unidades, desde el pasado 15 de marzo en la reorganización de toda la producción propia de actividades artísticas. Las medidas de confinamiento emitidas por el Gobierno nacional han obligado a reprogramar toda la actividad planeada hasta el 31 de diciembre, además de cancelar o suspender todos los proyectos que estaba previsto realizar hasta el 31 de agosto.

    “Estas cancelaciones no suponen, en ningún caso, una disminución de la carga de trabajo de esas entidades de producción. Además de las labores propias de esta nueva realidad, los trabajadores y trabajadoras de todas ellas están realizando un ingente trabajo de elaboración de materiales audiovisuales para sus páginas web y redes sociales, mejorando los procesos de trabajo internos, actualizando los departamentos de archivo y documentación y elaborando planes de mejora”, ha indicado el director insular de Cultura, Leopoldo Santos, quien, además ha apuntado que “aquellas personas que hubieran adquirido entradas para los espectáculos cancelados o tuvieran abonos recibirán la devolución del coste total de la localidad o de la proporción del abono en los plazos y periodos que cada centro establezca”.

    “La actividad cultural se irá adaptando a las diferentes fases y los aforos permitidos en cada uno de ellas para poder abrir los espacios culturales. No obstante, todos los organismos dependientes del área se mantendrán en atención pues no existe aún calendario de fechas previstas”, ha concluido Santos Elorrieta quien apuntó “que en el caso de Auditorio de Tenerife y Orquesta Sinfónica de Tenerife se establece la fecha del 25 de junio como primer horizonte para reanudar la actividad pública”.

    Entre los proyectos cancelados se encuentra MAPAS, un evento que contaba con la participación de compañías, programadores y críticos de Europa, América y África. De la misma manera, tampoco podrá celebrarse La tabernera de puerto, la zarzuela de Ópera de Tenerife prevista para el mes de junio. Otros eventos, sin embargo, se han suspendido a la espera de encontrar nuevas fechas en el último cuatrimestre del año, como el FAM Festival de las Artes del Movimiento, MEI Muestra Escénica Iberoamericana, etcétera- En estos casos la reprogramación deberá considerar las restricciones que en su caso se establezcan, pero Auditorio de Tenerife contará preferentemente con artistas y creadores de Tenerife y de Canarias.

    Por su parte, la Orquesta Sinfónica de Tenerife da por cancelada la temporada de abono y se vuelca ahora en la producción de materiales audiovisuales para sus redes sociales y en la adaptación de la programación 2020-2021 a las circunstancias actuales.

    Toda la información en cuanto al estado de los espectáculos y la forma de devolución de las entradas se puede consultar en las páginas web www.auditoriodetenerife.com y www.sinfonicadetenerife.es, además de las redes sociales de ambas unidades artísticas del Cabildo.

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